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BERMUDA TRIANGLE “SAME” (U.S.WINTERSOLSTICE) 1977 CVR AUTOGRAPHED ON BACK. I lucked out on finding a second copy of this quirky masterpiece.. Great cover of Dream On…solid originals like Right Track and a mix of several acid folk type pieces make this a great one….
If there’s a sound that captures the mid-’60s for me, it’s the electric autoharp. Which leads me to Roger Penney – the instrument’s originator and long-standing proponent. This is one quirky album spanning the musical genre from traditional Celtic instrumentals (‘Lark In the Morning / Swallow Tail’), to conventional rock (‘Right Track’) with all kinds of stops along the way. Well, as exemplified by the rocker ‘Right On’, Roger’s electric autoharp provided for some unique instrumentation.
* The pair’s hippy zeitgeist had a certain goofy and likeable charm. You could just smell the stale smoke and Patchouli…
On tracks like their cover of Aerosmith’s ;Dream On’ and the closer ‘Wind’ Wendy’s high fragile voice was unique and quickly grew on you. Add to that, she may have been the best looking female bass player you’ve ever seen.
Nights in White Satin3:05
Lark in the Morning / Swallow Tail1:24